On the way out the door on this shoot, I thought “what the heck, we’re here.” Although I had more than enough footage to cover the conceptual nature of the piece, I figured it would only take two more passes at the tune to have another complete take – or at least some great B-roll footage. We got very lucky that day – the set was gorgeous and the light outside was partly cloudy and the light was very diffuse. This version of “Honor” is the result of those two last camera passes. Thanks for watching.